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Ken Ueno

...blood blossoms...

amplified bass clarinet, amplified piano, percussion, electric guitar, amplified cello, amplified bass (2002)
Duration14'
PremiereMay 15, 2002 by the Bang on a Can All-Stars at Paine Hall, Harvard University, Cambridge, MA
PublisherPSNY

Media

Program Note

“The old junky found a vein...blood blossoms in the dropper like a Chinese flower..” pg. 84, Naked Lunch, William F. Burroughs

I can’t believe that this piece is twenty-years old now. Writing for the Bang on a Can All-Stars presented an exciting opportunity to compose a chamber work which included electric guitar (which was my main instrument growing up), as back then, in the early 2000s, it was still rather rare to use instruments that were more conventionally associated with vernacular musics as many colleagues were still invested in Bourdieuian cultural stratifications – i.e. sonic affordances that pointed to the vernacular were often viewed with disdain.

One of the many things I love about the electric guitar is the viscerality it projects aided by amplification and distortion. Felt as much as heard, the amplified, distorted, electric guitar is a spectral instrument – the amplification facilitates the audibility of complex upper harmonics and frequencies. The ensemble is orchestrated around the sounds I knew the electric guitar could unleash (e.g. the “distorted” melody the bass clarinetist hums through the body of the instrument, a roughness that pairs nicely with fast harmonics being played on the electric guitars - well, at least, I like it!). That’s the thing, I wrote sounds I wanted to hear, not delimited to the sounds I felt I was supposed to write as a composer. But that was twenty years ago. I am happy to see that some things have changed.

Amplification helps facilitate subtle sounds too. The Burroughs text, quoted above, made me think that beauty can be found in a medium full of potential power and destruction.  In writing for an amplified ensemble, I also sought to create delicate textures that played against the insipient power of amplification and distortion.

– Ken Ueno

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Full Score/Performance Score (includes 3 copies) (Print)

Choral Booklet (Digital)

Choral Booklet (Print)

Full Score in 3 volumes (Print)

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Choral Score (includes 4 copies) (Print)

Full Score/Performance Score (4 required for performance) (Print)

Full Score/Performance Score (4 required for performance) (Digital)

solo part and piano reduction (Digital)

solo part and piano reduction (Print)

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Performance Score (includes 4 scores) (Print)

Choral Scores (Digital - Bulk Purchase for Performance) (Digital)
This price covers the minimum cost of digital copies for performance.

Choral Score Set (Digital)

Choral Score Set (16 copies) (Digital)

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Pricing reflects cost of 5 digital scores.

Full Score/Performance Score (8 scores required for performance) (Print)

Full Score/Performance Score (5 copies required for performance) (Print)

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Vocal Score Set - License for 16 copies (Digital)

Vocal Score Set - 16 copies (Print)

Score (Digital)

Score (Print)

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Full Score/Performance Score (price reflects 5 copies) (Digital)

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Score and part (Digital)

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Includes 8 copies of the soprano/alto part and 8 copies of the tenor/bass part.

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Full Score (4 needed for performance) (Print)

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Video and instructions (Digital)

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Score and Parts (Digital)
Score and part PDF files are delivered via email upon receipt. Any electronic files associated with the work are included with every purchase.

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A PDF file of the full score is delivered via email upon receipt.

Soprano/Alto Part (Print)

Choral Score Set (License for 50 copies) (Digital)

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A score PDF file is delivered via email upon receipt. Any electronic files associated with the work are included with every purchase. An email containing a link to download the electronic files is sent to the customer's email address.

Full Score/Performance Score (Digital)
The full score serves as a performance score for all players. A score PDF file is delivered via email upon receipt. Any electronic files associated with the work are included with every purchase. An email containing a link to download the electronic files is sent to the customer's email address.

Score and Parts (Print)
A print edition of the score and part(s) ship to the customer's address upon receipt. Any electronic files associated with the work are included with every purchase. The email containing a link to download the electronic files is sent to the customer.

Solo Instrument Score (Print)
A print edition of the score is shipped to the customer's address upon receipt. Any electronic files associated with the work are included with every purchase. An email containing a link to download the electronic files is sent to the customer's email address.

Full Score/Performance Score (Print)
The full score serves as a performance score for all players. Print edition(s) of the full score/performance score are shipped to the customer's address upon receipt. Multiple copies are included if the work has more than one player. Any electronic files associated with the work are included with every purchase.

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A PDF file of the choral score is delivered via email upon receipt. The set is priced to allow multiple copies of the PDF to be printed for performance by the purchasing organization only.

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Mezzo-soprano, 2 tenors, baritone score (Print)

Study Score (Print)

Study Score (Digital)

SATB choral score (Digital)

Mezzo-soprano, 2 tenors, baritone score (Digital)